Organic, inspirational, and mind-blowingly powerful. Play up to 64 stereo voices with pristine clarity, using KORG’s proprietary anti-aliasing sample playback technology.Legendary synthesis, radically re-imagined.
Of course, KORG also provides all of the Wavestation’s samples (including all options), plus a huge library of Wavestation Wave Sequences. There’s a bank of samples from Plugin Guru, brand-new samples from KORG, and a selection from the Kronos and Krome libraries. That’s a lot of great-sounding raw material for Wave Sequences. Totaling in the gigabytes, the wavestate’s sample library is more than a thousand times larger than that of the original Wavestation.
Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.Īdd vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass. The result is organic, ever-changing sounds that respond to your control. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Each note in a chord can be playing something different! You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.Įvery time the sequence moves forward, the individual Lanes are combined to create the output. Also added are new characteristics including shapes, gate times, and step sequencer values. Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently.
What if they could evolve in organic, unexpected ways, instead of just repeating? This created ear-catching patterns–but the patterns repeated the same way, over and over. With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch.
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